In 1973, Carlton E. Morse was the guest of honor at a tribute
dinner and during the celebration, Morse received a letter of
recognition which was read to everyone attending: “Dear
Carlton, My best wishes on this occasion. There is no mystery
that you helped make radio writing an art form. Regards, Arch
Oboler.”
Carlton E. Morse was certainly one of the leading
scriptwriters for radio dramas. He began his career at NBC in
1929, and was the creator of two of the best-remembered radio
programs of the 1930s and 1940s; One
Man’s Family and I
Love A Mystery. His contribution to the art of writing for
radio is regarded and treasured by both young and old alike.
“Good citizenship is prerequisite to an abundant and
gracious civilization, and thoughtful parenthood is the only key
to that good citizenship. Great civilizations three times before
have withered and died, because they neglected this important
truth.”
- Carlton E. Morse
Carlton E. Morse was born on June 4th, 1901, in Jennings,
Louisiana. At the time of his birth, his parents, George and Ora
Morse (Ora Anna Phyllis Grubb) never had an inkling that their
little boy would grow up to become a writer. Carlton was the
oldest of six children. As with most parents, George and Ora
assumed that “Carl,” as they so called him during his youth,
was just an average boy growing up to find his fortune, and
possibly marry the woman of his dreams. But in 1906, the family
was forced to move to west, to the booming town of San
Francisco, California, where George and Ora hoped to raise their
children in a more strict, conventional home life. Years later,
the family would move north where help was needed on a fruit and
dairy ranch in Talent, Oregon.
“At the tender age of five I enticed my father and mother
away from their rice fields and oil wells near Jennings,
Louisiana, not too distant from the rough, tough, roistering
elements of the Texas Panhandle,” recalled Morse. “It was
then I brought them through the perils of the
turn-of-the-century rail transportation to the virgin farm lands
of the Rogue River country in Southern Oregon. The trials and
tribulations of this memorable trek were manifold. A few
instances of our misadventures may be imagined when I make it
clear that my father in early married life was a reluctant man
with money, which though negligible, he had come by the hard
way. The idea of adding a gratuity, more vulgarly known as a
tip, to a service charge revolted him right down to the tendrils
of his grassroots. Once in a generous moment he expansively left
four pennies for a large colored waiter, and only was saved from
outright mayhem with a most odious looking straightedge razor by
throwing my innocent young body in my father’s arms and crying
out, ‘Brutalize me if you will, but save my dear papa.’
He attended Ashland, Oregon High School beginning in 1915; two
years later the family left Oregon and moved to a twenty acre
ranch in the Carmichael district of Sacramento, California.
Carlton’s brother, Wilbur, would eventually practice law there
and his older brother, Melvin, would sell insurance. Morse’s
father became the Superintendent of the now-defunct National
Rice Mills of Northern Sacramento. Carlton wanted to go out on
his own and make a living for himself. From time to time, he
helped unload rice for his father.
At Sacramento High School, Morse played on the basketball team
and was on the staff of the school paper. He graduated in 1919.
After high school he attended Sacramento Junior College and
played on its basketball team also. In 1922, Carlton E. Morse
was twenty-one years old. In that same year he enrolled at the
University of California at Berkeley, where he once recalled
having heard President Wilson speak. The students knew Morse as
a guy with a sly sense of humor.
At the University of California at Berkeley, he was exposed to
drama classes and writing courses, that became the inspiration
for a career in journalism. According to “many” sources it
was here during drama classes that Morse made life-long friends
with students who would later star in One
Man’s Family and I
Love A Mystery, including Michael Raffetto, Barton
Yarborough, and J. Anthony Smythe.
About 1990, Morse told ILAM
fan Jim Harmon in a face to face conversation that newspaper
stories about his being friends with his future actors at the
University were not true. He had met Raffetto, Yarborough and
the rest when they “walked through the door” to audition for
his early radio dramas like House
of Myths.
Carlton’s journalism career was jumpy, to say the least. He
was supposed to graduate with the Class of 1923 at the
University of California but never did. But as Morse explained,
“On my second year I got thrown out because I flunked
military. On those days it was right after the first World War
and everybody was coming back from Europe and here I was, a
little country boy, never wore a uniform (always wore overalls)
and so I got thrown out of the University. I went up to
Sacramento where my folks were living and got my first job
writing for the Sacramento
Union.” He began at the bottom floor, as a newspaper
reporter for the Union from
1920 to 1922, covering radio and police news.
“Now I reached out into wider fields, namely ‘The
Press’,” recalled Morse. “I was kindly received, but
miserably paid, receiving the munificent sum of twelve dollars a
week, that is on the weeks where there was money left over after
the printers and the managing and city editors had got theirs.
However I was not pleased being quite away that this same sheet,
the Sacramento Union,
had pandered to the geniuses of both Brett Harte and Mark Twain.
Perhaps I was even working at the very desk and with the very
typewriter these two stalwarts had used for some of their
masterpieces. This might well have been, for both were of
vintage stock, the desk on weary and trembling legs and the
typewriter wrote with all the keys only when laid upon its left
side. I understand that since, and perhaps because of, my days
of service there the Sacramento
Union has flourished. I always am glad to lay the magic
touch on any institution which is tolerably responsive.”
Discouraged with his meager pay, Morse went to work for the
copy desk at the San
Francisco Chronicle, where he remained until 1925. It was
five years of hard work that finally paid off, when he acquired
the position of a columnist at the San Francisco Illustrated Daily Herald (1925-27), and it was this
position with which he established his writing style. From 1927
to 1928 he wrote for the Seattle
(Washington) Times, and from 1928 to 1929 he wrote columns
for the San Francisco Bulletin.
Author’s note: Morse wrote columns for numerous West Coast
newspapers during the twenties, including the Portland Oregonian, the San
Francisco Illustrated Daily Herald and the Vancouver Columbian. One source reports that he wrote for the Vanderbilt
Arrow, but I have yet to find any documents proving this; if
he did that must have been a very short stint.
Biographical trivia – Morse was a Republican, a member of
the Bohemian Club, San Francisco Food and Wine Society, and the
Hollywood Lakeside Golf Club.
It was this last job as a columnist that providence rewarded
Carlton for all his hard work. While working at the Bulletin, he met Patricia Pattison De Ball, who would become his
first wife on September 23, 1928. Months later, the Bulletin was bought out by the San
Francisco Call to become part of the expanding Hearst Empire
and Carlton, along with other employees, found he was no longer
needed. Working at the Bulletin
also gave him the advantage of reading the new employment
ads, before the public caught wind of such notices. One of these
said advertisements, listed job openings of scriptwriters for
radio serials at the National Broadcasting Company.
Morse later recalled: “From the Union I invaded the editorial rooms of the now-defunct San
Francisco Call, the San
Francisco Bulletin, the Vanderbilt
Herald and the still thriving Chronicle.
From this pinnacle of forty dollars a week on the rim of the
copy desk, I transferred my subtle touch and driving energies to
the Seattle Times. But
with all, my deepest instincts were suggesting that the day and
era of the metropolitan press, as a great mass communication
medium and a voice of the people, was drawing to a close. With
this thought in September of 1929, the very month of the Great
Crash, I dug myself a nice little foothold with the National
Broadcasting Company, then entrenched in several floors of the
Hunter-Dillion Building, at a hundred and eleven Sutter Street,
San Francisco.”
Soon after being hired by N.B.C, Morse began writing a series
of scripts entitled One
Man’s Family. The story of how that radio program became
successful is another story, but needless to say, Morse later
went on to create numerous radio programs including I
Love A Mystery, Adventures
By Morse, I Love
Adventure, Split Second Tales, Pigskin
Romances, The House of
Myths, and many other radio programs.
In 1966, the Pacific Pioneer Broadcasters (PPB) was founded to
preserve the memory of West Coast broadcasting in the “golden
age” of radio. Over 10,000 individual scripts are housed at
the Thousand Oaks Library, which were previously housed for many
years at the PPB headquarters in the Washington Mutual Building
at Sunset and Vine in California. The American Radio Archive,
established in 1984 by the Thousand Oaks Library Foundation,
presently houses a large collection of radio scripts to I
Love A Mystery, including I
Love Adventure, Adventures
By Morse, One Man’s
Family and His Honor
the Barber. Stanford University – the same Stanford which
Claudia and Cliff attended in the television version of One
Man’s Family – houses the largest collection of Morse
material.
To be honored with a star on the world’s most famous
sidewalk, is a tribute as coveted and sought after as any of the
entertainment industry’s equally prestigious awards –
including the Oscar, Emmy, Grammy, Golden Mike or Tony. And,
because it recognizes a life-long contribution of both public
and peer appreciation, it is an honor uniquely in a class by
itself. The Walk of Fame is a permanent monument of the past, as
well as the present. Envisioned in 1958 as a lasting tribute to
the personalities who helped make Hollywood the most famous
community in the world, the Walk continues today as a superior
asset to the city, perpetuating the aura that has made the name
“Hollywood” synonymous with glamour. The Walk remains one of
Hollywood’s most widely visited tourist attractions. Carlton
E. Morse was honored with a star of his own, in front of 6445
Hollywood Blvd.
In the introduction to the short story compilation Beyond
the Gates of Dream, published in 1969, author Lin Carter
recalled how the radio program I Love A Mystery inspired him as a youth to write fantasy stories.
The book was the production of that inspiration. In 1945, Brett
Halliday wrote a short story entitled “Murder with Music”
and in the story is a brief mention of I
Love A Mystery being aired over the radio – part of an
alibi for murder. In the 1994 film Radioland Murders, the opening began with short sound snippets of
various radio programs including the classic signature theme for
I Love A Mystery.
Noted author William Goldman featured a character named Doc in
his novel Marathon Man (1974).
In chapter nineteen, the nicknamed was explained: “. . . and
‘Doc’ was our name. From I
Love A Mystery. That was his favorite. He was always going
on about Jack, Doc and Reggie, and for a while I called him
Reggie but he said, ‘No, I’d rather be Doc,’ so that was
it.”
On Monday, May 24, 1993, at the age of 91, Carlton E. Morse
died of natural causes. His family was with him. He was survived
by his second wife, Millie, of Carmichael, California; a
daughter, Noel Canfield of Fair Oaks, California; two brothers,
Wilmer and Harry, and two sisters, Lucille Chastine and Anne
Morse, all from the Sacramento area. His memorial service was
held in Los Angeles, California with several members of the One
Man’s Family cast in attendance. According to Morse’s
obituary as reported in the June 14, 1993 issue of Variety, and
the May 28, 1993 issue of the New
York Times, Morse had at one time, worked on plans to revive
I Love A Mystery.
Some time before his passing, Morse wrote an epitaph for
himself. “When I am gone think this of me: He truly was what
he seemed to be.”
Martin Grams, Jr. is the author and co-author of a dozen books
about old-time radio and old-time television including The
I Love A Mystery Companion (2003) and GANG
BUSTERS: The Crime Fighters of American Broadcasting (2004).
Material reprinted above from the I
Love A Mystery book and reprinted with permission from the
author. This article is a reprint from the June 2004 REPS
Convention Program Guide and reprinted with permission.